Art History 101

7 Facts About Mary Cassatt’s Inspired Life

Painter and printmaker Mary Cassatt was a true pioneer, an artist ahead of her time whom subverted the status quo and defied obstacles often denied to her based on her sex. Cassatt’s practice focused on materializing the interior life of women through intimate or quotidian moments witnessed during her life. She developed a style her own, blending impressionism with touches of Japanese printmaking, always bringing a feminine softness to her canvas.

In honor of her birthday, we’ve compiled a few facts about her prolific life, which began in Pennsylvania and ended in Paris.

Image: “The Boating Party” by Cassatt, 1893 (via: Wikipedia)

 

1. Cassatt’s mother was very well-read and educated, a privilege she afforded Mary and her siblings.

2. On a family trip to Europe in 1855, Mary first saw the work of French artists Ingres, Delacroix, and Courbet, who would come to influence her work greatly.

3. Cassatt was dissatisfied with the education she was receiving at the Pennsylvania Academy of Fine Arts, particularly the restrictions exclusive to women, and began to explore and research the Old Masters on her own.

Image: “Mother and Child Before a Pool” by Mary Cassatt (via Wikipedia)

 

4. In 1866 she began studying with Jean-Léon Gêrôme in Paris, picking up a touch of his Eastern-influenced style. Richly patterned fabrics and closely cropped intimate spaces are hallmarks of Japanese art, exhibited in her famous “Little Girl in Blue Armchair” work from 1878.

Arnaut_and_his_dog_by_Jean_Leon_gerome
Image: “Arnaut Blowing Smoke in His Dog’s Nose,” Jean Léon Gérôme. (via Wikipedia)

 

5. Cassatt, alongside Elizabeth Jane Gardner, was one of the first women whose work was accepted and shown in a Parisian Salon in 1868. The work accepted was “A Mandolin Player,” depicting a young girl clutching her instrument, painted in rich colors and basking in a luminous orange glow.

6. Edgar Degas was a known proponent of Cassatt’s work, taking her into his growing impressionist group in 1879. The two met after she had fallen into disfavor with the Salon, reinvigorating her career.

7. Cassatt’s older sister Lydia was a favorite subject of the artist, who painted her reading a newspaper in 1878. This act was unusual for the time, remarking on the increasing role of women in society.

Lydia at the Tapestry Loom Mary Cassatt
Image: “Lydia at the Tapestry Loom,” Mary Cassatt. (via Wikimedia)

 

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About the Author

Chelsea is the Marketing Associate at Saatchi Art. She likes Neoclassical art, text messaging, and that's pretty much it. Find her Tweeting @saatchiart, and Instagramming @saatchiart